Som Arrastado
[en]
“Som arrastado” is an investigation project, through an ethnomusicological research experience, of the different levels of meanings for musical sounds in a cultural context. The aim of the project was to create visual signs inspired by the pagode baiano perceived in the event “Arrastão de Paripe”, in order to reframe them in the field of design, raising questions about culture, society, design processes and their possibilities. From the study within the universe of graphic design, music and ethnomusicology, the methodological process took place through the incorporation of participant observation practices with the process of creating graphic design. In the end, it was possible to build visual products using the poster support, taking the nature of the project to an experimental approach, exploring its reflective and dialectical character.
“Som arrastado” is an investigation project, through an ethnomusicological research experience, of the different levels of meanings for musical sounds in a cultural context. The aim of the project was to create visual signs inspired by the pagode baiano perceived in the event “Arrastão de Paripe”, in order to reframe them in the field of design, raising questions about culture, society, design processes and their possibilities. From the study within the universe of graphic design, music and ethnomusicology, the methodological process took place through the incorporation of participant observation practices with the process of creating graphic design. In the end, it was possible to build visual products using the poster support, taking the nature of the project to an experimental approach, exploring its reflective and dialectical character.
Photos by Matheus Santos @ _4vero
[pt]
“Som arrastado” é um projeto experimental de investigação, por meio de uma experiência de pesquisa etnomusicológica, dos diferentes níveis de significados para os sons musicais em um contexto cultural. O objetivo do projeto consistiu na criação de signos visuais inspirados no pagode baiano percebido no evento “Arrastão de Paripe” com Soneca Paredão, a fim de ressignificá-los no campo do design, levantando questões sobre cultura, sociedade, processos de design e suas possibilidades. A partir do estudo dentro do universo do design gráfico, da música e da etnomusicologia, o procedimento metodológico se deu por meio da incorporação das práticas da observação-participante com o processo de criação do design gráfico. Ao final, pôde-se construir produtos visuais utilizando o suporte cartaz, levando a natureza do projeto a uma abordagem experimental, explorando seu caráter reflexivo e dialético.